Contractual arrangements between songwriters and publishers.
Licensing of musical compositions by publishers (mechanical and synchronization licenses).
Public performance rights and musical compositions.
Digital / new media issues faced by songwriters and the publishing industry.
The role of the Harry Fox Agency in licensing of musical compositions.
READINGS (BARGFREDE / MAK)
Ch. 4, What is a ‘Copy’ and What is a ‘Performance?,’ pp. 53 – 57
Edit playlist item notes below to have a mix of public & private notes, or:MAKE ALL NOTES PUBLIC (8/8 playlist item notes are public) MAKE ALL NOTES PRIVATE (0/8 playlist item notes are private)
|3||Show/Hide More||Recording Industry Ass'n v. Lib. of Congress, 608 F.3d 861 (D.C. Cir. 2010) (Excerpts)|
|6||Comments of the National Music Publishers’ Association, the Nashville Songwriters Association International, SESAC, Inc., and the Church Music Publishers Association in response to the United States Patent and Trademark Office’s Request for Comments on the Department of Commerce’s Internet Policy Task Force Green Paper, Copyright Policy, Creativity, and Innovation in the Digital Economy, 78 Fed. Reg. 61337.|
|8.4||Show/Hide More||Live365, Inc. v. Copyright Royalty Board, 698 F. Supp. 2d 25 (D.D.C. 2010) (Excerpts)|
|8.9||Show/Hide More||US v. ASCAP (In re Cellco Partnership), 663 F.Supp.2d 363 (SDNY 2009) (Excerpts)|
|8.10||Show/Hide More||US v. ASCAP (In Re AT&T Wireless f/k/a Cingular Wireless), 599 F.Supp.2d 415 (SDNY 2009) (Excerpts)|
December 12, 2014
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